Tuesday, September 10, 2019

Marco Palmezzano, Holy Family with the Infant Saint John the Baptist Essay - 1

Marco Palmezzano, Holy Family with the Infant Saint John the Baptist - Essay Example ainter near the Umbrian school, the first who practised foreshortening with much success and one of the most outstanding fresco painters of the 15th century.... Â  Marco Palmezzano, 1an Italian from Forli, Romagna ( 1460 – 1539) would be considered as a High Renaissance Artist would depend upon which of his works was being considered. He originally trained as an artist under the master Melozzo da Forli and his earliest work is perhaps the fresco decoration dating from around1480-84 of the vault of the sacristy of the treasury at Santa Casa, Loreto, which was designed by Melozzo da Forli considered to be a great master of perspective and had worked with the better known Piero Della Francesa. Marco was working with his teacher on fresco for the Capella Feo in S.Girolamo, in the town of Forli when the older man died, work that has since been destroyed by war action. Henry La Farge says of the relationship between the two artists Mellozo and Della Francesca that Mellozo:- It is likely that he had also studied architecture in Urbino, according to an article originally written in 1915.3 This seems likely when the fine architectural detail in many of his works is considered , including the one under consideration, as well as his familiarity with various types of marble and his ability to reproduce them on canvas or other material. The same writer points out how Marco Palmezzano would signed himself as the pupil of Melozzo, and the fact that this has caused confusion as to who actually painted a piece and their works have consequently been misattributed. This would also in part explain why Palmezzano is relatively unknown despite having works on exhibition in such prestigious places as the National Gallery4 and The Courtauld Institute, both in London, but also in many other places in Western Europe, in Australia and the United States of America. At some point in his twenties Palmezzano he traveled to Rome, where it is possible he painted the fresco in th e church

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